Chills, The - Kaleidoscope World (Expanded Edition)
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Kaleidoscope World is not just the starting point for The Chills, but an insight into the world of New Zealand guitar-pop and the ’Dunedin Sound’ – an influence which carries on to indie-pop bands around the world today.
Originally released in 1986, the compilation captures the best of the magical early period recordings of The Chills and simply oozes excitement and possibility. Now re-issued again on a deluxe 2xLP and CD set, featuring six bonus, b-sides, demos and live tracks plus an expanded gatefold cover with photos, posters and liner notes from journalist Martin Aston.
The world’s first look at The Chills came via the 1982 Dunedin Double compilation – featuring four acts (The Chills, The Verlaines, Sneaky Feelings and The Stones) all hailed from the New Zealand city in the deep south. Recorded on a portable 4 track it was distinctly lo-fi and in tune with the do it yourself ethic at the heart of the burgeoning Flying Nun label. It was sound in part born out of geography and location, with the spaciousness and remoteness of New Zealand itself matched with the glowing songs of chief Chill -Martin Phillipps – a music-savant that somehow wrangles psychedelic pop and folk, Syd Barrett and Brian Wilson, all with Phillipps’ innate ability to sound both joyous and sad within a moment.
Originally released in 1986, the compilation captures the best of the magical early period recordings of The Chills and simply oozes excitement and possibility. Now re-issued again on a deluxe 2xLP and CD set, featuring six bonus, b-sides, demos and live tracks plus an expanded gatefold cover with photos, posters and liner notes from journalist Martin Aston.
The world’s first look at The Chills came via the 1982 Dunedin Double compilation – featuring four acts (The Chills, The Verlaines, Sneaky Feelings and The Stones) all hailed from the New Zealand city in the deep south. Recorded on a portable 4 track it was distinctly lo-fi and in tune with the do it yourself ethic at the heart of the burgeoning Flying Nun label. It was sound in part born out of geography and location, with the spaciousness and remoteness of New Zealand itself matched with the glowing songs of chief Chill -Martin Phillipps – a music-savant that somehow wrangles psychedelic pop and folk, Syd Barrett and Brian Wilson, all with Phillipps’ innate ability to sound both joyous and sad within a moment.