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II (ゴナー)","description":"\u003cp\u003e \u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EoC0E8g_B2Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e宇宙のハイウェイをはるかに超えた H クラス惑星出身のベニーは、「hi-NRG ニューエイジ」音楽を制作しています。 Wizzard Sleeve \/ Gary Wrong Group、Heavy Lids、Roman Gabriel Todd's Beast Rising Up Out Of The Seaなどのバンドの中心メンバーであるBênníは、宇宙船を長時間運転するときに聴く新しい音楽に対するベニー・ディヴァインの個人的なニーズから生まれました。距離。旅の途中でヴァン・ヘイレンの5150やゼブラのセルフタイトル・アルバムに飽きた彼は、独自のSF風景や幻想的なサウンドトラックを作り始めた。多くの場合、原始的な音楽は、ヴァンゲリスからジョン カーペンター、80 年代のダンジョン エレクトロ バンド、ワーニング、そしてビンテージのアーケード ゲーム回路へと瞬く間に変化します。 「私にとって、メンフィスやニューオーリンズのパンクシーンが他の場所とは一線を画しているといつも感じているのは、音楽と音楽性が、他の場所のハイコンセプトや典型的な冷笑的な「クソ野郎」的な態度よりも常に重要であるということです。ベニー・ディヴァインは首都が M のミュージシャンで、ニューオーリンズに来てから 1 年以内に (湾岸を 1 時間足らずで上って)、彼がニューオーリンズに来ていた私たちと同じように地元の風景に影響を与え始めたのは偶然ではありません。ここで何十年もそれをやっています。ベニーは特に若い男にとって特別な存在だ。彼は決して遊びすぎません。彼はいつも耳を傾けます。彼は教会の女性のようにファンキーです。それに、彼のパートと複雑な曲の構造に対する記憶力は、これまで私が一緒に仕事をした誰の中でも比類のないものです...それに、彼はクソほど冷静です。彼が現在、市内のほぼすべての優れたバンドに所属しているのには理由があります。そうそう...メンフィスのビッチの誰かが彼を私たちから盗むという面白いアイデアを思いついたなら、彼を強制的に連れ戻すために真っ直ぐな怠惰な酔っぱらいの軍隊が川を上っていくでしょう。」 ――クイントロン\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Black Vinyl LP","offer_id":32982594846853,"sku":"","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/benni221_main.jpg?v=1582824050"},{"product_id":"benni-the-return-green-vinyl-lp-goner","title":"Benni - ザ・リターン (ゴナー)","description":"\u003cp\u003e \u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d-Xgyov4ttk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eシンセの魔術師BENNIのフルレングス第2弾！\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eベニー・ディヴァインの印象的な音楽履歴には、ゲイリー・ロング・グループ、ウィザード・スリーブ、ナッシュビルの多作なフォガット・ポップ御用達のナチュラル・チャイルドなどの曲が含まれているが、ゴナーがベニーのデビュー・アルバム『I \u0026amp; II』を大々的にリリースしたのは、ほんの1年前のことだった。これは、私たちが現在「Hi-NRG New Age」として知っている新しいサブジャンルを立ち上げ、その作成者は、決して追いつくことができない激怒したスカイファックス、マンハイム・スティームローラー、ウィンダム・ヒル・レコードの支持者たちの噂の暴徒を何気なく肩越しに眺めていました。彼のライブパフォーマンスは、TVガイドとリーダーズダイジェストのバックナンバーに掲載されていませんでした。大活字版。タイトルが明示的に示しているように、『I \u0026amp; II』は以前にリリースされた 2 つのカセットを組み合わせたものでしたが、『The Return』はフルレングス形式用に作曲された 9 トラックのソングサイクルです。このアルバムを、もう一つの歴史の物語として想像してみてください。サウンドトラックの余韻のソースとしてではなく、むしろ、70 年代の骨の折れる犯罪映画と SF 映画のサブジャンル全体のインスピレーションの最初の火花です。さらに、ファジーなエレクトロポップチョップは、彼のデビュー作を非常に魅力的なものにしたスペーシーなげっぷやゴロゴロ音と同じくらい印象的です。\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Green Vinyl LP","offer_id":32953067864197,"sku":"","price":16.99,"currency_code":"USD","in_stock":true},{"title":"ブラックビニール","offer_id":34595594829986,"sku":"","price":14.99,"currency_code":"USD","in_stock":true},{"title":"コンパクトディスク","offer_id":35532051972258,"sku":"","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/BENNI_COVER_WEB_b2f9ea93-80e6-468c-86fe-64b3b3c2c441.jpg?v=1582825087"},{"product_id":"blind-shake-celebrate-your-worth-black-vinyl-lp-goner","title":"Blind Shake - Celebrate Your Worth (Goner) ","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ucdLMXQIjSA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n \u003cp\u003eブラインド・シェイク、ミネアポリス出身の3人の強烈な男たちが濃密で神秘的な音楽を生み出す：1974年、エルトン・ジョンの「ロケットマン」が1972年にチャートを駆け上がり、世界の頂点に立ったと感じていたバーニー・トーピンは、スペイン国外で突然のめまいに苦しんだ。彼が休暇を取っていた別荘。ブラックライトの光の中で、彼は未来の未来、ブラインド・シェイクの大音量のビジョン、エルトン・ジョンの「スターマン・アズ・エヴリマン」の歌をまるでパステル調のティッシュペーパーのように濡らし、きれいな色に溶けていくような音楽を作っているのを見聞きした。陶器のトイレ。\u003cbr\u003e\u003cbr\u003e本物の『Celebrate Your Worth』は、トーピンにとって未知のバンドとサウンドのつながりの強烈な網の目であり、クロムからベイルター・スペース、マイケル・ヨンカーズとジョン・リースに至る奇妙なサウンド、そして素晴らしい未知のバンドとサウンドの信じられないほどの世界全体に蔓が伸びている。 「私は一体何をしているのですか？」トーピンはひざまずいて空を見つめて泣きました。ブラインド シェイクの神秘的で素晴らしい奇妙さとエネルギーを目撃してください。\u003c\/p\u003e\n\n \u003cp\u003e• ミネアポリスのトリオによる最新の奇妙なサウンド\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e• 以前にジョンとコラボレーションしたことがある\u003cbr\u003e\u003cbr\u003eレイス (ホット・スネークス、ドライブ・ライク・ジェフ、ロケット)\u003cbr\u003e\u003cbr\u003eクリプトより）とマイケル・ヨンカーズ\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e• Chrome と Bailter Space のファン向け\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Black Vinyl LP","offer_id":32982570303621,"sku":"","price":14.99,"currency_code":"USD","in_stock":true},{"title":"コンパクトディスク","offer_id":35532457377954,"sku":"","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-9201195-1493503552-3447_jpeg.jpg?v=1595528796"},{"product_id":"carbonas-s-t-cd-goner","title":"Carbonas - Self-titled (Goner) CD","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vzxrvyYjinc\" allow=\"accelerometer; 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Given the record's running time, there's 'nary a wasted moment, riff or breath, as the band crams in a host of late-'70s\/early-'80s Antipodean and East Coast rock influences, and strains those sounds through the Carbonas' distinctively greasy Southern sonic filter.”—Bob Mehr, Commercial Appeal\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Compact Disc","offer_id":35342555119778,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/carbonas.jpg?v=1656698698"},{"product_id":"cobra-man-new-driveway-soundtrack-black-vinyl-lp-goner","title":"Cobra Man - New Driveway Soundtrack (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ry_bo301TjM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFearlessly drop into Goner Records’ first foray into the sunny summer skateboard scene: Cobra Man’s debut album showcases the wild-ass energy of The Worble skateboarding, perfectly interpreted through the minds of long-haired session musicians of ’80s Los Angeles. This infectious neon celebration will surely freshen the spirits by satisfying the search for classic innovation and fun. Follow us as we push further down the driveway, the New Driveway.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Compact DIsc","offer_id":32982524330117,"sku":"","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-10848971-1510112250-1943_jpeg.jpg?v=1595528108"},{"product_id":"cococoma-things-are-not-all-right-lp-goner","title":"CoCoComa - Things Are Not All Right (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/beVY7a_-EG0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThings Are Not All Right is the second album on Goner from the Chicago bash-and-crash pop trio CoCoComa. Comprised of husband-and-wife Bill and Lisa Roe on drums and guitar, respectively, plus Mike Fitzpatrick on bass and organ, the band is part garage, part psych pop, and all pure punk energy. Things Are Not All Right takes the catchy, spazzy push of their first album and adds depth and more realized production values without slowing down in the least. \"CoCoComa's songs sound rowdy and loose--the band's reckless, infectious enthusiasm makes them feel like they could run off the rails at any time, even on a recording.\" --Miles Raymer, Chicago Reader \"If the carnival had a carousel that had vibrating rockets instead of bobbing ponies, Rumplemintz and PBR instead of Icees, and roller coasters that rattled more than the Cyclone in a hurricane, then the music wouldn't just be a pipe organ wheezing calliope music--it'd be the fucked-up, off-the-rails, fast-as-you-can pumping of CoCoComa. Start with the guitar \/ drum spazzing of Bill and Lisa Roe, whirl in a mad dash of Mike Fitzpatrick's organ anchor, coat with Bill's shredding lead vocals, sprinkle with the \"whoah-oh-oh\"s and group shouting that only comes with the unabashed embracing of being sweaty and dirty for the sake of a good time, and you've got CoCoComa.\" --RCRDLBL.com \"CoCoComa is a record begging to be run to, climbed to, moved to, destroyed to.\" --Coke Machine Glow \u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Black Vinyl LP","offer_id":33626863009925,"sku":"","price":11.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384512479394,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-2591289-1292080249_jpeg.jpg?v=1595528720"},{"product_id":"digital-leather-sorcerer-lp-goner","title":"Digital Leather - Sorcerer (Goner)","description":"\u003cp\u003e\u003cspan\u003e***In 2002 DIGITAL LEATHER were two young men playing keyboards: DL Mastermind SHAWN FOREE and RYAN WONG (Destruction Unit, Tokyo Electron, Reatards). Electronic karate chops and drill sergeant drum simulators created fuzzed out synth punk at warehouse punk shows to punk rock kids that hated keyboards and hated Digital Leather. They then had their faces melted. Several similar shows played a role, directly or indirectly, in shaping an underground music revolution. Flash forward several years—and Digital Leather has become a shape shifting force in the new \"it\" genre of synth punk. With a handful of sold out singles and LPs under his leather jock strap, Shawn Foree is now preparing his magic wand for the masses. He's traded his synthesizer for a guitar, and Ryan Wong for a full band. He's still recording songs himself in a bedroom in Arizona. He brings his band and the a disc of recordings to Memphis for Gonerfest 2, then drops a sonic A-bomb of a set at the Buccaneer Lounge in the middle of the afternoon. Luckily it is all captured on multi-track by a crack guerilla recording team. Home recordings from that time become Side A to Sorcerer; Side B is the live recording. Layered synthetic sounds come together with stark beats and dry vocals to create a lonely mechanical epic that reminds us of man's impending doom. Chillingly delicate and abrasively aggressive, Sorcerer masterfully negotiates the spaces between minimal electronic music and ferocious synth punk.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (label)","offers":[{"title":"Black Vinyl LP","offer_id":32980347715717,"sku":"","price":11.99,"currency_code":"USD","in_stock":true},{"title":"コンパクトディスク","offer_id":35470096138402,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/51swzSl0UqL_00deeb82-0e30-4e93-b9f5-e6d7b0e5d447.jpg?v=1583169386"},{"product_id":"harlan-t-bobo-im-your-man-lp-goner","title":"Harlan T Bobo - I'm Your Man (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XdTL8Lmle3A\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***BACK IN STOCK!!! Even after his debut release, Too Much Love, captured the imagination of Memphis’ music lovers, HARLAN T. BOBO still remains a mystery. Instead of shedding light on the man behind the music, his intensely personal lyrics have actually served to help perpetuate his enigmatic personna. However, with his sophomore album, I’m Your Man, one thing about Harlan is clear—his musical talent is the real thing. Eleven tracks of post-breakup emotion delivered in a range of musical styles. Received an awesome 8.1 rating from Pitchfork.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32982177480837,"sku":null,"price":14.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384343888034,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-1214960-1201358573_jpeg.jpg?v=1595528069"},{"product_id":"harlan-t-bobo-sucker-lp-goner","title":"Harlan T Bobo - Sucker [Goner]","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vr6r2IiLPHQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I've been duped by my biology,\" 43-year old Harlan T. Bobo says of Sucker, his third album for Goner Records. If Too Much Love, Bobo's solo debut, chronicled the dissolution of a soul-wrenching relationship, and his second album, I'm Your Man, captured the fits, starts and relapse of post-breakup emotions, Sucker narrates the life of a man who is, in his own words, \"settling down.\" Despite the new album's tongue-in-cheek title, the dark confessional style that pervades I'm Your Man is largely replaced with a lighter attitude. Anguish gives way to an almost upbeat alpt bobsuckngst, and the gloom-and-doom allure of temporary romances is overcome by true love. On \"Sweet Life,\" the opening track, the typically enigmatic Bobo unabashedly reminisces about traveling with--and wooing--Anne Ciriani, who would ultimately become his wife and the mother of his son, Nino. \"The first time she broke my nose with a rum bottle, I knew it was love,\" Bobo says. The break-neck \"Crazy with Loneliness\" and the humorously meditative \"Selfish Life\" document his mental shift, while \"Energy,\" \"Drank,\" and \"Mlle. Chat\" record the physical adjustments he's made as the husband of a Frenchwoman who owns her own ice cream shop in Argeles, which Bobo describes as \"the white trash camping spot of Europe.\" Occasionally, Bobo veers away from the fairytale to serve up alternate storylines, such as the frantic, Jerry Lee Lewis-meets-Television \"Errand Girl,\" or \"Hamster in a Cage,\" a sordid, yet beautifully written song about his short-lived Hollywood hustle. \"Having a wife and a child doesn't mean I'm finished,\" he says. \"If anything else, I'm more desperate to make music. The songs I'm writing now are a little more charged than they were a couple of years ago, when I had nothing to do but play music.\" Received a 7.6 rating from Pitchfork. \u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (Label)","offers":[{"title":"Black Vinyl LP","offer_id":32982166470789,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384309088418,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-7263605-1437493890-6350_jpeg.jpg?v=1595947483"},{"product_id":"hash-redactor-drecksound-lp-goner","title":"Hash Redactor - Drecksound","description":"\u003cp\u003eBack in stock! Limited quantity!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZRNx135uTXg\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eA quick glance at the résumés of Hash Redactor’s members might seed certain expectations. The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar. But their debut full-length dives into territory that feels distinctly untethered from their lineage and era. Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens. Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. The chorus to the incendiary “Step 2: Success” is sneered, not sung, “It’s a long con job and you just got it wrong \/ banned from the world.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction. He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. McIntyre and Williford’s guitar interplay snakes in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power. All of this is locked in by Watson’s characteristically visceral swing. It doesn’t feel controversial to claim that Watson and Lones constitute one of the best rhythm sections in contemporary punk music. Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut Drecksound at home on a borrowed 8-track cassette machine. The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32968412168325,"sku":null,"price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/drecksound.jpg?v=1585960098"},{"product_id":"hierophants-parallax-error-black-vinyl-lp-goner","title":"Hierophants - Parallax Error (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rsG39ufCjJA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHierophants are an original rock and roll group in 2015, and their songs are brief, to the point, every one a potential hit single. Hierophants are not an oldies group, they are not a glitter group, they don’t play boogie music and they don’t play the blues. The Australian quartet consists of Zak Olsen, Daff Gravolin, Paris Richens and Jake Robertson. They started in 2010 when Olsen moved from the coast north of Sydney down to Geelong and found himself hanging out with a bunch of teenage, paisley-clad skaters who swapped their Vans for boots at night, snuck into the pubs and started a dozen bands. Olsen and Robertson did some recordings one weekend, asked the two best-looking people they know to join them live, and the four have been writing songs altogether ever since. Olsen, the guitarist, rocks with such free-spirited abandon that his sound has been compared to Lou Reed donking Mark Mothersbaugh over the head with his guitar. Richens, the keyboardist, is an arch villain whose diminutive frame stands aloof left (or right) of stage. Gravolin plays bass guitar and is the acknowledged handsome one of the group, while Robertson is the drummer whose chimp-like playing underpins the band’s simian sound. Hierophants mostly originate from Geelong and kids who grew up there either became musicians, college students or surfers. Hierophants are a little of each; their sound is not unlike throwing one’s calculator in the ocean.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32982087827589,"sku":"","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Colored Vinyl","offer_id":32982096478341,"sku":"","price":13.99,"currency_code":"USD","in_stock":false},{"title":"コンパクトディスク","offer_id":35532206211234,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-7580919-1444486969-8391_jpeg.jpg?v=1595528455"},{"product_id":"human-eye-4-into-unknown-lp-goner","title":"Human Eye - 4 Into Unknown (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ImLO2ROOovk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeople of Earth, take heed: The year is 2013 AD, and Timmy Vulgar has graced our squabbling kind by returning to terra-dwelling humanoids the intergalactic, transcendental cyber-organism that is the twitching Human Eye for a fourth revelation. Prepare, peopleoids, as the Human Eye casts its gaze Into Unknown. Over the course of 4: Into Unknown, the listener rides along rising and falling cascades of fuzz. Mindless twist-and-jive anthems entice, but ultimately abandon false friends in psychedelic realms while remote melodies tickle and torment the cerebellum. In many ways, 4 presents longtime fans with a reverent re-education in Human Eye’s style, as it pulls influences from way back—the epochal decades of the 1960s and ’70s, when groovin’ was the law and the mind a nebulous thing. Full of Sabbath-esque sludge-bass, trash-incinerating guitars and blown-out organs, these songs convince any would-be afficionado that the throbbing heart of rock ’n’ roll, Detroit City, while currently on life support, can still produce. Mystics, ancient astronauts, and other Human Eye zealots can look forward to witnessing the four-piece live, as appearances are predicted in hometowns across the United States in the latter half of 2013. So, set your radios to interstellar frequency, pick up the album and do not miss an opportunity to experience Human Eye electro-shock firsthand—as long as you prepare to be sent reeling beyond our universe, beyond what we can only claim to know.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32982033760389,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384677236898,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-4563964-1392313130-2478_jpeg.jpg?v=1595528631"},{"product_id":"jack-o-the-tn-tearjerkers-disco-outlaw-lp-goner-655035004518","title":"Jack O \u0026 the TN Tearjerkers - Disco Outlaw (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3ePDV8qJ0oA\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***JACK OBLIVIAN (aka JACK YARBER) has developed a cult following exploiting everything that makes rock and roll great—raw inept punk, lo-fi blues, distorto pop, rot-gut soul, fuzz-drenched twang... His story started in the ‘90s as a member of the COMPULSIVE GAMBLERS and THE OBLIVIANS, but Yarber has honed his craft on his five solo records since. Disco Outlaw is his first album on Memphis label Goner Records. \"Yarber clearly knows his way around a catchy chorus, a memorable melody, and a mean guitar lick. In the end, these songs succeed in their simplicity and exquisite lack of bullshit.\"—Dusted\u003cbr\u003e\u003cbr\u003eJack O \u0026amp; The Tennessee Tearjerkers\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32981996077189,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35385165512866,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-4408470-1364102530-5369_jpeg.jpg?v=1585588225"},{"product_id":"john-wesley-coleman-bad-lady-goes-to-jail-lp-goner","title":"John Wesley Coleman - Bad Lady Goes To Jail (Goner)","description":"\u003cp\u003e\u003cspan\u003eWho is John Wesley Coleman? He describes himself as \"garbage collector, golden boy.\" Those four words might fit him best. Coleman currently makes pizzas in Austin, Texas, lives in weird territory, and is part of an invisible, non-scene made up of his other Austin band Golden Boys, North Carolina's Spider Bags and Memphis' Limes--all groups with their own takes on sprawling, psychedelic, country-tinged rock. The artists he covers, largely street-level commentators of life below the poverty line, are telling; on his last album, Steal My Mind, he did Lester Bangs and Warren Zevon songs; this time, it's Nikki Sudden. Of course, a few years back he released a completely blasted version of George Michael's \"Faith\" that was seen as a piss-take but actually spoke to Wes' mindset. Coleman has been compared to Lou Reed, Mr. Bangs, Daniel Johnston and even Pavement, who adopted some of the spaciousness of country life after their initial spizzle grotted out. But who wants to hear Pavement now? Owning cars that don't break down makes one complacent, and luckily Coleman hasn't had to deal with that yet. Hanging out at bus stops gives the man with eyes a whole lot of material to work with. Bad Lady Goes to Jail covers a whole variety of desires, from Coleman's desire for police to stop assaulting him to the desire to dance with his woman, to the less-specific \"Something in My Brain Wants Something.\" To balance the wandering heart, he also offers more mundane observations in songs like the self-explanatory \"Christians Drive Like Shit\" and \"My Friend Dan,\" a straight celebration of one of his buddies. There's a glorious shimmer that runs through Coleman's sometimes ramshackle music, a graceful melding of enthusiastic melodies and a rushed instrumental attack that frames off-beat lyrics sung by someone who can find moments of excitement in some pretty unlikely situations. Instead of living in the gutter and looking at the stars, he's living in the gutter and looking at the crazy people stumbling down the street. And loving it!\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32969055436933,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384553406626,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/badlady.jpg?v=1584337859"},{"product_id":"john-wesley-coleman-the-last-donkey-show-lp-goner","title":"John Wesley Coleman - The Last Donkey Show (Goner)","description":"\u003cp\u003e\u003cspan\u003eThe Last Donkey Show is the latest album from everyone’s favorite freaky Texas troubadour John Wesley Coleman. While Coleman’s particular madman swerve still recalls Doug Sahm and Roky Erickson, this collection covers more territory than his earlier work. Does this mean the half-mad misfit has grown up? Not quite—but the songwriting chops are all there, from carney kookiness to fuzz rockers to barstool tearjerkers to dustbowl pop. In his own words: “That’s right. My new album is called The Last Donkey Show. It is a fucking roller-coaster recorded in Oakland, California, at Greg Ashley’s studio The Creamery and also in the country near Lockhardt, Texas, at my good buddy’s childhood home. Aaron Blount is his name. He is a bad-ass songwriter friend of mine. We ate BBQ all day and shot BB guns and had a bonfire. There is a cast of characters on this record... It’s a floodgate of memories. Every song has a crazy story. I will tell them to you some time. The donkey is a symbol of hard work, humor and death. I love it! See you at town near you. Eat Gus’s Fried Chicken!”\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (Label)","offers":[{"title":"Black Vinyl LP","offer_id":32969076801669,"sku":null,"price":11.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":51558733971669,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/JWCLastDonkeyShowCover6x672dpi_1_ae3b68eb-95c5-4166-b773-1029a9683af9.jpg?v=1583172504"},{"product_id":"leather-uppers-bright-lights-lp-goner","title":"Leather Uppers - Bright Lights (Goner)","description":"\u003cspan\u003e***At long last, Toronto’s bombastic LEATHER UPPERS have returned. Now slimmed down to a duo, the band kick it rocking, hot, and with a heavy dose of the ridiculous. The band blew the pants off of ‘em at GonerFest 2 and the SXSW Goner showcase. \u003c\/span\u003e","brand":"Goner (Label)","offers":[{"title":"Black Vinyl LP","offer_id":32981964816517,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35408217211042,"sku":"","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-5054917-1383262825-8650_jpeg.jpg?v=1586186440"},{"product_id":"limes-rhinestone-river-lp-goner-600385202817","title":"Limes - Rhinestone River (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CUmiDKWnfeU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMemphis is home to several of rock's most endearingly off-kilter rock storytellers, from Jim Dickinson to Jeffrey Evans to Ross Johnson. To that list, one can now add Shawn Cripps, leader of The Limes. On the band's debut full-length, Rhinestone River, Cripps retains the musical talents of Harlan T. Bobo, who previously helped on The Limes' Rock 'n' Roll Heart single. Bobo's hypnotic keyboards perfectly complement Cripps's gritty guitar work and vocals, particularly on \"Sounds Like a Shimmy.\" Rhinestone River also features contributions by Memphis scene stalwarts Ross Johnson, Paul Buchignani (Afghan Whigs, Bobo's backing band), Alicja Trout (Lost Sounds, River City Tanlines) and Bruce Saltmarsh ('68 Comeback, Porch Ghouls). The title track, with its wobbly gait and lyrics like \"Sitting on this barstool, sweating the rhinestone river,\" can induce secondhand drunkenness in anyone within earshot. \"Rhinestone River\" is the closest an American band has gotten to the pickled poetry of the Country Teasers. The momentum and melody of \"Bottom of the Hole\" unfurl like the narrative thrust of a bourbon-soaked anecdote at two in the morning. The album's crown jewel is the closing track, \"Last Year.\" Cater-cornered rock guitars and Cripps's talkin' vocal style build up to a woozy climax that culminates in a feral \"woo-hoo.\" Like the other great songs on Rhinestone River, it threatens to fall apart several times but Cripps, with a little help from his friends and his engaging personality, holds it all together.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl LP","offer_id":32981927460997,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384858181794,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/Limesrhinestone.jpg?v=1584983043"},{"product_id":"limes-tarantula-lp-goner","title":"Limes - Tarantula (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IX3I3_volSM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn a town full of musical hermits and legends, it may seem trite to call anyone the town’s best kept secret. But truck-driving rocker Shawn Cripps and his revolving cast of characters collectively known as Limes have been making lovable late-night rackets at midtown dives for nearly a decade with very little to show for it. A couple of singles (one from France, one from Italy) and two homemade CDRs were all that existed until Goner released Rhinestone River last year. Well, that’s not entirely true—as is typical with many Memphis iconoclasts like Alex Chilton, Jim Dickinson and Tav Falco’s Panther Burns, Limes clicked with overseas listeners before Americans caught on, and Cripps’s first album Tarantula did receive a limited CD release in 2005 on a small New Zealand label. Somehow that made more sense than it should have, as Limes’ brand of quirky pop and rock wouldn’t be out of place on a Flying Nun comp from the mid-’80s. Cripps has had a crazy life. For a while, he lived on a boat in the Mississippi River; there were rumors he went a little kooky at some point and wouldn’t listen to anything but Exile on Main Street for months. He was a frequent collaborator with Harlan T. Bobo—the two are both reclusive songsters with more than their fair share of talent and bad luck. Catching Limes live, you never knew who will be there or how it’ll turn out. Could be the best show of the year—or the worst. Sometimes the worse they play, the better the show is. The CD version tacks on the second Limes CDR, 2006’s Blue Blood, a somewhat more laid-back and sly slide through Cripps’s sideways take on life. Long live Limes!In a town full of musical hermits and legends, it may seem trite to call anyone the town’s best kept secret. But truck-driving rocker Shawn Cripps and his revolving cast of characters collectively known as Limes have been making lovable late-night rackets at midtown dives for nearly a decade with very little to show for it. A couple of singles (one from France, one from Italy) and two homemade CDRs were all that existed until Goner released Rhinestone River last year. Well, that’s not entirely true—as is typical with many Memphis iconoclasts like Alex Chilton, Jim Dickinson and Tav Falco’s Panther Burns, Limes clicked with overseas listeners before Americans caught on, and Cripps’s first album Tarantula did receive a limited CD release in 2005 on a small New Zealand label. Somehow that made more sense than it should have, as Limes’ brand of quirky pop and rock wouldn’t be out of place on a Flying Nun comp from the mid-’80s. Cripps has had a crazy life. For a while, he lived on a boat in the Mississippi River; there were rumors he went a little kooky at some point and wouldn’t listen to anything but Exile on Main Street for months. He was a frequent collaborator with Harlan T. Bobo—the two are both reclusive songsters with more than their fair share of talent and bad luck. Catching Limes live, you never knew who will be there or how it’ll turn out. Could be the best show of the year—or the worst. Sometimes the worse they play, the better the show is. The CD version tacks on the second Limes CDR, 2006’s Blue Blood, a somewhat more laid-back and sly slide through Cripps’s sideways take on life. Long live Limes! “Rhinestone River takes its time with everything, its riffs, its songs, its sketched-out vistas of Americana on the skids... and, a few listens in, its slow disequilibrium starts to take hold, its tempo makes sense, its mumbled observations start to sound like truth.” —Dusted\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl","offer_id":32981864874117,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35384893112482,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-3875440-1350114094-2936_jpeg.jpg?v=1595528294"},{"product_id":"low-life-downer-edn-lp-goner","title":"Low Life - Downer Edn. (Goner)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RusJwGVaWkw\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe whole “five band years = a lifetime” biz trope is justified, if not negated, by the second album from Sydney’s Low Life. Arriving with an aura of anticipation, Downer Edn (read: Edition) feels like a collective document of the band’s timeline since their unforgettable debut Dogging—an album which made enough of a mark on the punk landscape in 2014 to justify a reissue on London’s Alter in 2017. Recorded over two years and mixed in 2018 by Mikey Young (Total Control \/ Eddy Current Suppression Ring), Downer Edn sees the core trio of Mitch Tolman, Cristian O’Sullivan and Greg Alfaro expand their ranks to a five piece. Dizzy Daldal of Oily Boys \u0026amp; Orion was brought in to reinforce the thick wall of guitars, whilst fifth member Yuta Matsumura, also of Oily Boys \u0026amp; Orion, re-joined the group later to free Tolman up as a dedicated front man for live duties. The hours of studio work have resulted in making the band sound more confident and fully realised, reaching for and finding a sound that was perhaps unattainable five years prior. However, lurking behind the bigger vision and polished production is a complex proposition and a dark blast of an album. As far as Australian punk is concerned, this album not only shatters the boundaries, it does so with the lushest attack conceivable. Like their (admitted) influence, the enigmatic Ohio legends of obscurity, V3, seldom has the fuck word been sung (repeatedly) in such a believable and poetic manner. The visceral pounding of melodies throughout the album transforms their inspirations; desperation, neuroses, trauma, survival, hooliganism, violence, hope, rejuvenation, and their hometown of Sydney’s full architectural and social scope—from a realm of intangibility to the very, very tangible. In the words of Mitch, “We’re influenced by Sydney as a whole, whether it be the hot and muggy concrete streets of the West and South West, the “glorious beaches” of South Sydney, the racial tensions left over from the putrid Cronulla riots of 2006, the pompous and superficial fake tan \/ bleached teeth combo suburbs of Bondi, as well as Sydney’s iconography: The Harbour, the Bridge, the Opera House, Kings Cross. All the desperation embedded in and around these areas, including the eternal influx of troubled people looking to get into trouble, is our experience and main influence.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReceived a 7.3 rating from Pitchfork. \u003c\/span\u003e\u003c\/p\u003e","brand":"Goner","offers":[{"title":"Black Vinyl","offer_id":32981783773317,"sku":null,"price":14.99,"currency_code":"USD","in_stock":false},{"title":"Compact Disc","offer_id":35384915853474,"sku":"","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/LowLife_Cover_Web_03b9bc27-e402-4f71-992c-d64de653831c.jpg?v=1582824442"},{"product_id":"nots-cosmetic-lp-goner","title":"Nots - Cosmetic","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Pwz7kHm9naU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second full-length statement from Memphis’ Nots, Cosmetic fearlessly attacks the rough edges between desire, deceit, appearance and reality. Not chanting down Babylon, Natalie Hoffmann screams straight into its face. In this Game Of Death, Nots run through the maze of mirrors with sledgehammers— oh, the sound of mirrors smashing—let’s smash some more! Nots are still a wild guitar band, but above and below the guitar, bass and drum pound, Alexandra Eastburn’s analog synth blurps melodies and nonsense, teasing squiggles of freedom which defy the false grid of modern life. With Hoffmann on guitar and vocals, Eastburn on synth, Charlotte Watson beating drums, and Meredith Lones steering a solid path through the chaos on bass, Nots are neither content with the smug “stare at your shoes” approach of bands from both coasts, nor an Earth-hugging “we need to get back to nature” hippie cop-out. There might not be any answers here. That might be the point. Nots have arrived at the next level of their attack with confidence and music that lays waste to the wasteland without romantic attachments.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goner (Label)","offers":[{"title":"Black Vinyl LP","offer_id":32980964769925,"sku":null,"price":15.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":34576751296674,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/NotsCosmetic.jpg?v=1585962041"},{"product_id":"so-cow-long-con-lp-goner-records","title":"So Cow - Long Con","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gBbbsxhILuA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eAfter years of recording as one man in several sheds, The Long Con is the first full-on, full-band recording from Ireland’s So Cow. Brian Kelly is this time joined by long-time foil Jonny White on bass and the pride of Dublin, Peter O’Shea, on drums. It’s also their first album to be recorded in a studio and, if that isn’t enough, has an honest-to-goodness producer involved, namely Deerhoof’s Greg Saunier. Recorded live over the course of four or so days, the album is an attempt to capture So Cow’s live sound, as opposed to the overdub-happy chaos that marked the debut LP, 2009’s best-of-up-to-then compilation So Cow, and 2010’s Meaningless Friendly. The album was recorded in Ballyheigue in County Kerry, hitherto and probably-now-still most famous as the birthplace of the guy who coined the term “entrepreneur.” Saunier and the band ran through the process at a fairly spectacular pace, most likely inspired by the wi-fi being out of order. The Deerhoof man himself makes an appearance on “Say Hello,” a pretty-much-improvised final day runabout. The Long Con follows on from the sufficiently varied Meaningless Friendly and their half of Out of Season, a split LP with Dublin’s Squarehead, in that it zips around styles in a way that, to this day, makes their friends find them “hard to describe.” The band themselves are of the mind that they sound like The Chills or McLusky, but they’ve lost all perspective at this stage so don’t go taking their word for it. Similarly, lyrics telling of joyriding local politicians, John Deacon’s post-Queen level of contentment, and the terror of turning 30 can probably now be interpreted any number of ways. So Cow are currently planning a quick September trek of the US, culminating in an appearance at Gonerfest 11 in Memphis.\u003c\/span\u003e","brand":"Goner (Label)","offers":[{"title":"Black Vinyl LP","offer_id":32980941799557,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":35385434177698,"sku":"","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/longconsocow.jpg?v=1584390878"},{"product_id":"sore-losers-ost-lp-goner","title":"Sore Losers - Original Soundtrack (Goner)","description":"\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2dCgx4gfskM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eReissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself. Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good \/ bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories \/ Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage\/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing \/ fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever. This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good. \u003c\/span\u003e","brand":"Goner","offers":[{"title":"Black Vinyl 2XLP","offer_id":32968400044165,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-12587517-1538141194-3604_jpeg.jpg?v=1595528150"},{"product_id":"ty-segall-lp-singles-2007-2010-goner","title":"Ty Segall - Singles 2007-2010 (Goner)","description":"\u003cspan\u003e Jet-packing around the indie \/ garage cosmos for the last four years, Ty Segall has done too many singles and EPs and split records and shared records and albums and cassettes to count. He’s found himself increasingly in the spotlight, and this year’s Goodbye Bread for Drag City was met with a big wet kiss from the indie media world. But Segall don’t care about that. He ain’t in it for the corporate buck. He’s made it because he’s toured constantly, puts on a great show and genuinely loves what he does. Goner is proud to present a double-album of tracks culled from Segall’s massive out-of-print catalog—plus some stuff that never made it out in the first place. Here ya go: Singles 2007-2010. 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Indeed, they had transmuted beyond their Lightnin' Hopkins'n'Hooker heated acid blues; delving further inward to the cosmic eye, mind and beyond. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eEaster Everywhere\u003c\/i\u003e is an album that exhibits group chemistry at its ultimate unification. The Elevators had already arrived at a place where they had the songs, lyrics AND feel to animate both into a consciousness-delving manner, but now they took their explorations even further out and beyond the crust, the mantle and the white-hot core of the psychedelic experience into a place where existence can be seen as an eternal dance: a play between time and space, of push and pull (it's hard to describe without using the language it demands, but here goes) of the whole exchange of thingy-inny to thingy-outty and all that implies?of the spaces between yourself and your existence, as the rollicking rhythm that is life steams full on ahead into the future. 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Hugely influence to and lauded by the likes of Wilco, REM, The Replacements among many others....these are the best of his recordings from the 1980's. Some know him as the lead singer of the Boxtops who had a number one hit in 1967 with \u003c\/span\u003e\u003ci\u003eThe Letter,\u003c\/i\u003e\u003cspan\u003e others know him from the majestic Beatlesque pop of Big Star or as the name in a song by the Replacements (\"Children by the millions sing of Alex Chilton...”) Others know him as the songwriter of the theme song for That 70s Show. He was at the height of his cult star fame in the mid 1980s when he made these recordings. 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Aretha's Greatest Hits LP","description":"Tracklist\u003cbr data-mce-fragment=\"1\"\u003eSpanish Harlem 3:30\u003cbr data-mce-fragment=\"1\"\u003eChain Of Fools 2:45\u003cbr data-mce-fragment=\"1\"\u003eDon't Play That Song 2:48\u003cbr data-mce-fragment=\"1\"\u003eI Say A Little Prayer 3:30\u003cbr data-mce-fragment=\"1\"\u003eDr. Feelgood 3:18\u003cbr data-mce-fragment=\"1\"\u003eLet It Be 3:28\u003cbr data-mce-fragment=\"1\"\u003eDo Right Woman - Do Right Man 3:15\u003cbr data-mce-fragment=\"1\"\u003eBridge Over Troubled Water 5:31\u003cbr data-mce-fragment=\"1\"\u003eRespect 2:26\u003cbr data-mce-fragment=\"1\"\u003eBaby I Love You 2:39\u003cbr data-mce-fragment=\"1\"\u003e(You Make Me Feel LIke) A Natural Woman 2:39\u003cbr data-mce-fragment=\"1\"\u003eI Never Loved A Man (The Way I Love You) 2:47\u003cbr data-mce-fragment=\"1\"\u003eYou're All I Need To Get By 3:34\u003cbr data-mce-fragment=\"1\"\u003eCall Me 3:18","brand":"Alliance","offers":[{"title":"Black Vinyl LP","offer_id":32887137992837,"sku":"","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-9007937-1488398235-3874_jpeg.jpg?v=1609354345"},{"product_id":"askesem-evacuation-lp-ambrosia","title":"Askesem - Evacuation","description":"","brand":"Ambrosia","offers":[{"title":"Black Vinyl LP","offer_id":33346107670661,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/71NIK5pIVRL._SS500.jpg?v=1582186180"},{"product_id":"beastie-boys-licensed-to-ill-lp-def-jam","title":"Beastie Boys - ライセンスト・トゥ・イル","description":"\u003cspan\u003e「ビースティ・ボーイズのデビュー・アルバム『ライセンス・トゥ・イル』のこの30周年記念エディションは、オリジナル・プロダクション・マスターからカットされ、180グラムの重量盤で提供されています。このアルバムは、「ホールド・イット・ナウ、ヒット・イット」を含む、連続したクラシックなビースティ・ボーイズ・アンセムです。 「ブラス・モンキー」「（ユー・ガッタ）ファイト・フォー・ユア・ライト（トゥ・パーティー）」「ノー・スリープ・ティル・ブルックリン」（スレイヤーのケリー・キングをフィーチャー）「ガールズ」。ライセンスト・トゥ・イルは、ビルボード200でトップに立った初のヒップホップ・アルバムである。 2015年にはRIAAからダイヤモンド認定を受け、1998年にはザ・ソースのベスト・ラップ・アルバム100枚に選ばれ、ユダヤ系ヒップホップアーティストによる唯一のアルバムであり、ザ・ソースから5本のマイクを提供された。 , このアルバムは、ローリング ストーン誌の史上最も偉大なアルバム 500 枚のリストで 217 位にランクされ、2013 年には同誌はこのアルバムを史上最高のデビュー アルバムに挙げました。ヴァイブはこのアルバムをヴァイブの 20 世紀の必須アルバム 100 枚に加えました。」\u003c\/span\u003e","brand":"Alliance","offers":[{"title":"LP","offer_id":32888323539077,"sku":"","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-5531755-1395920906-7292_jpeg.jpg?v=1583965340"},{"product_id":"beastie-boys-pauls-boutique-lp-capitol-5099969330018","title":"ビースティ・ボーイズ - ポールズ・ブティック","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\n \u003cp\u003eビースティ・ボーイズの 1989 年のセカンド・アルバムの 30 周年記念エディションの 2 枚組 LP プレス。最初にリリースされたとき、このアルバムは商業的には失敗でしたが、ゆっくりと、しかし確実に世界が追いつき、今ではこのアルバムは批評家やファンによってヒップホップとオルタナティブ・ロックのランドマークとみなされています。\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cspan\u003e\u003c\/span\u003e","brand":"Alliance","offers":[{"title":"Black Vinyl 2xLP","offer_id":32888344739973,"sku":"","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-1405831-1424792172-8982_jpeg.jpg?v=1583965527"},{"product_id":"beatles-hard-days-night-lp-parlophone","title":"ビートルズ - ハード・デイズ・ナイト","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch3 class=\"group\"\u003eトラックリスト\u003c\/h3\u003e\n\n\u003cdiv class=\"section_content\"\u003e\n\n\u003ctable class=\"playlist\" style=\"width: 256.892px;\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr class=\"first tracklist_track track_heading\"\u003e\n\n\u003ctd colspan=\"2\" class=\"tracklist_track_title\" style=\"width: 524px;\"\u003e映画「ア・ハード・デイズ・ナイト」の歌\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A1\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eハードデイズナイト\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eもっとよく知っておくべきだった\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A3\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eもし私が落ちたら\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A4\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eあなたと踊れるだけで幸せです\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A5\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eそして私は彼女を愛しています\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A6\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e教えてください\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A7\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eキャント・バイ・ミー・ラヴ\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track_heading\"\u003e\n\n\u003ctd colspan=\"2\" class=\"tracklist_track_title\" style=\"width: 524px;\"\u003e - \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1\"\u003e\n\n \u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eいつでも\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B2\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e代わりに泣いてあげるよ\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B3\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e今日私たちが言ったこと\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B4\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e家に帰った時\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B5\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eそんなことはできない\u003c\/span\u003e\u003c\/td\u003e\n\n\u003ctd class=\"tracklist_track_duration\" style=\"width: 10px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B6\"\u003e\n\n\u003ctd class=\"track tracklist_track_title \" style=\"width: 514px;\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e私は戻ってきます\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Alliance","offers":[{"title":"Black Vinyl LP","offer_id":32888412045445,"sku":"","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-4058965-1516361361-7068_jpeg.jpg?v=1609354177"},{"product_id":"beatles-rubber-soul-lp-capitol-094638241812","title":"ビートルズ - ラバー・ソウル (リマスター)","description":"\u003cp\u003eパーラフォン - 094638241812\u003c\/p\u003e\n\n\u003cp\u003e 180グラムの重量盤にステレオリマスター。\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Black Vinyl LP 180 Gram","offer_id":32905925165189,"sku":"","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/R-4037518-1369803933-5524_jpeg.jpg?v=1609354170"},{"product_id":"beatles-sgt-peppers-2017-stereo-remix-lp-capitol-602567098348","title":"ビートルズ - 軍曹ペッパーズ ロンリー ハーツ クラブ バンド","description":"\u003cp\u003eビートルズの「サージェント」の2017年リミックスの限定180グラムビニールLPプレス。ペッパーズ・ロンリー・ハーツ・クラブ・バンド。ジャイルズ・マーティンがプロデュースしたこのアルバムの新しいステレオ・ミックスは、オリジナルの 4 トラックのセッション・テープから直接ソースされています。世界中のファンや音楽評論家から賞賛されたビートルズの「サージェント」。 Pepper' Anniversary Edition は、2017 年で最も有名な歴史的音楽リリースであり、あちこちのビートルズ ピープルにとって理想的なギフトです。イギリスでは1967年5月26日に、アメリカでは1967年6月2日にリリースされ、すぐに商業的にも批評的にも大成功を収め、イギリスのアルバム・チャートのトップに27週間、アメリカでは15週間1位を記録した。リリースされると、このアルバムは、音楽制作、ソングライティング、グラフィック デザインにおける革新性、ポピュラー ミュージックと正当なアートの間の文化的溝を埋めること、そして同世代と現代のカウンターカルチャーを音楽的に表現した点で、大多数の批評家から賞賛されました。 。 1968年にはロックLPとして初めてこの栄誉を獲得したアルバム・オブ・ザ・イヤーを含む4つのグラミー賞を受賞した。\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cli\u003e \n\u003cspan class=\"aec-tracknum\"\u003e1SGT\u003c\/span\u003e 。ペッパーズ・ロンリー・ハーツ・クラブ・バンド (リマスター 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003eウィズ・ア・リトル・ヘルプ・フロム・マイ・フレンズ (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003eルーシー・イン・ザ・スカイ・ウィズ・ダイアモンズ (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003eゲッティング・ベター (リマスター 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e5.\u003c\/span\u003e穴の修復 (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003eシーズ・リービング・ホーム (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003eカイトさんの為に！ (2017年リマスター)\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"discnum\"\u003e -ディスク2-\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003eウィズイン・ユー・ウィズアウト・ユー (リマスター 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003eホエン・アイム・シックスティ・フォー (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003eラブリー・リタ (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003eグッドモーニング・グッドモーニング (Remastered 2017)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"aec-tracknum\"\u003e5SGT\u003c\/span\u003e 。ペッパーズ・ロンリー・ハーツ・クラブ・バンド (リプライズ) (リマスター 2017)\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003eア・デイ・イン・ザ・ライフ (Remastered 2017)\u003c\/li\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003eレーベル: キャピトル\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Black Vinyl LP","offer_id":32823709794437,"sku":"","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0299\/7534\/7333\/products\/peppers.jpg?v=1583626903"},{"product_id":"big-star-lp-best-of","title":"Big Star - 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